InlsFinalProject


InlsFinalProject - initial notes

InlsFinalProject2 - 14-Jul, 15-Jul - generation

InlsFinalProject3 - 16-Jul - generation

InlsFinalProject4 - 17-Jul - generation

InlsFinalProject5 - 22-Jul - composition

InlsFinalProject6 - 23-Jul - cheat sheet PDF


 

 

books/sources

 

TITLES

 

OUTLINE

 

delicious links on presentations: http://del.icio.us/brownstudy/presentations

 

don't wait for the muse

 

the artist's way -- writing 3 pages/day in your journal. getting the writing habit. becoming more facile simply at the process of writing.

 

the anecdote about the pottery students, point of quantity over quality

 

write first and let the words find you

 

divide writing into a discrete sequence of processes:

 

the goal is to squeeze out a first draft that you can then edit

 

mark forster's continuous revision process

 

intro: during the course of this course, we've had to write job descriptions, grants, disaster plans, etc. ideally, in the real world, you would have text or a template or boilerplate to base your stuff on. but sometimes you have to create something from whole cloth that doesn't exist. and then you have to sit down and write something that has never before existed in the history of the world.

 

write yourself little emails every day

 

write in a wiki that stores your changes

 

revising vs rewriting

 

karen joy fowler--hates writing first drafts, loves editing

 

my nanowrimo experience -- 1,663 words/day in november. you can't get behind.

 

fred pohl would print out his first draft and then delete it from his hard drive to force himself to retype it.

 

write in complete sentences.

 

write first the scenes or passages you can visualize strongly or that you're most passionate about. no law that says you have to start from the beginning.

 

let the beginning emerge.

 

let the themes emerge. you want the process to be organic.

 

clip or copy/paste the squibs into paragraphs, group the paragraphs into sections. don't force anything.

 

separate the articulation from the communication, separate the communication from the public performance.

 

el doctorow: writing a novel is like driving by night.

 

little and often.

 

see the forster book on working a big project--some good quotes there.